This morning I took some time to visit
Salford Local History Library and have a quick peek at the archival records for
the Pilkington Tiles Archive which Duncan McCormick the librarian had
kindly dug out for me.
The folder contained some 122 pages each one documenting an object, letter, artwork that forms part of the History of the company. The file was put together by Barry and Angela of the Lancastrian Pottery Society. What struck me most amongst the many correspondence and documents was how similar daily life seemed to be to ours. There were rent and rates demands, insurance documents, share capital and tax returns. Letters from prospective employees, legal demands for slander, magazine cuttings, artwork ideas, and a thousand patent requests. Just reading through the list of documents and objects gave me a real feel for the company and what it achieved. The company was a bit of an anomaly really, creating its own identity outside of Stafford and Stoke the pottery capital of the world. I think this gave it a real unique identity, it was also different for the workers who were used to the satanic mills and coal mines. The pottery was a place of imagination, colour, art and spectacle.
I highlighted some things that I think will be of interest to the project one of them being the notebooks of Abraham Lomax who was the ceramic chemist left to experiment with glazes and clay bodies. He did some 16,000 experiments over his initial first years with much of his work providing the factory with important discoveries and glaze recipes for years to come. The other is a book by Franklin Shaw entitled “my Fifty years” which I believe will touch on the the War years.
The folder contained some 122 pages each one documenting an object, letter, artwork that forms part of the History of the company. The file was put together by Barry and Angela of the Lancastrian Pottery Society. What struck me most amongst the many correspondence and documents was how similar daily life seemed to be to ours. There were rent and rates demands, insurance documents, share capital and tax returns. Letters from prospective employees, legal demands for slander, magazine cuttings, artwork ideas, and a thousand patent requests. Just reading through the list of documents and objects gave me a real feel for the company and what it achieved. The company was a bit of an anomaly really, creating its own identity outside of Stafford and Stoke the pottery capital of the world. I think this gave it a real unique identity, it was also different for the workers who were used to the satanic mills and coal mines. The pottery was a place of imagination, colour, art and spectacle.
I highlighted some things that I think will be of interest to the project one of them being the notebooks of Abraham Lomax who was the ceramic chemist left to experiment with glazes and clay bodies. He did some 16,000 experiments over his initial first years with much of his work providing the factory with important discoveries and glaze recipes for years to come. The other is a book by Franklin Shaw entitled “my Fifty years” which I believe will touch on the the War years.
The Archive and the way it is documented is interesting in itself as life becomes History to be stored and sorted through at a later date. The pressing arguments of the day become a memory or artifact with little relevance apart from the lives it has touched at the and for someone looking for clues for the future.
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